"...The experience of the global is partial. It is not an all-encompassing umbrella. The multiple processes that constitute it inhabit and shape specific, rather than universal, structurations of the economic, the political, the cultural, the subjective. In so doing, new spatialities and temporalities are produced, co-existing yet distinct from the master temporality and spatiality of the “national.” In the interplay of their difference, strategic openings have emerged.
Such strategic openings are especially evident in sites where these intersecting temporalities and spatialities assume thick and consequential forms. Among these sites are, from the perspective of my own research experience, global cities. The global city is a border zone where the old spatialities and temporalities of the national and the new ones of the global digital age engage. Out of their juxtaposition comes the possibility of a whole series of new economic and cultural projects. There are other sites, including microsites, where the juxtapositions of different spatialities and temporalities are likely to be thick, charged. One question that comes to mind is whether art in some of its instantiations can represent such a microsite of juxtapositions, one that captures a key dynamic of transitioning..."